|
 |
|
|
 |
Title |
William
Tillyer: Against the Grain |
 |
 |
Author |
Norbert
Lynton |
ISBN |
1-901785-05-X |
Extent |
176pp
|
Format |
325
x 205 mm |
Binding |
Hardcover,
portrait |
Price
|
£45/US$75 |
Illustrations |
176
colour, 24 black & white integrated |
Pub
date |
Nov-00 |
 |
 |
|
|
 |
William
Tillyers work has been shown frequently
in London and New York since 1970. Admired
by fellow artists and collectors, it has mystified
critics, even those eager to praise him. Why
does his work keep changing? Why does each
new phase seem to contradict and undermine
the last? Why doesnt he establish a
brand image and stick by it?
By looking at his output as a whole, as Lynton
does here in the first comprehensive survey
of Tillyers life and work, we can begin
to understand its underlying consistency and
enjoy its inventiveness. Much of his art is
about the beauty of the world, of landscapes,
still life and buildings; it can also be sublimely
beautiful in its use of colour, brushstrokes
and pictorial constructions, or dramatic in
its size and contrasts. His thoughts are about
how art communicates as much as what.
Norbert Lynton is the best kind of teacher:
pointer in hand, he insists that we look keenly
and questioningly at what is before our eyes.
The revelations that reward his readers depend
on an almost forensic acuteness as well as
his deep understanding of modern art. In an
era when outrageousness makes the art headlines,
Lyntons is a cool and measured voice.
Like his subject William Tillyer, he teaches
us to be artistically literate.
Artist background information:
William Tillyer was born in 1938 in Middlesborough,
northern England. Trained in printmaking,
Tillyer has evolved into an astonishingly
diverse and talented artist. His work encompasses
everything from prints to collages to watercolours
to oil paintings to mixed-media constructions.
He has been represented by the Bernard Jacobson
Gallery since 1970, and has had numerous solo
and collective shows in Britain, US, Australia
and many other countries. Today he is one
of Britains most respected artists,
with a still-growing reputation. |
|
 |
|
|
|
|
|